Photo: Margarita Yoko Nikitaki

Accessibility

At Onassis Stegi, culture is a space of equality, dialogue, and active presence.

At Onassis Stegi, accessibility is not a special provision. It is how we understand culture itself: as an open, polyphonic field where every individual body and every individual voice have a right to presence and creation.

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    Photo: Margarita Yoko Nikitaki

    Tactile tour of the photography exhibition "Yorgos Lanthimos: Photographs"

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    Photo: Pinelopi Gerasimou

    Sign language interpretation at the Onassis Stegi Party 2025

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    Photo: Pinelopi Gerasimou

    Tactile Tour of the performance "Oedipus" by Robert Icke

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    Photo: Margarita Yoko Nikitaki

    Surtitles and sign language interpretation in the performance of “The Little Prince Blues” by Giannis Aggelakas

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    Photo: Pinelopi Gerasimou

    Tactile Tour of the performance "Oedipus" by Robert Icke

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    Photo: Margarita Yoko Nikitaki

    Surtitles for deaf and hard of hearing people in the performance “Mami” by Mario Banushi

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    Photo: Margarita Yoko Nikitaki

    Tactile tour of the performance "Mami" by Mario Banushi

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    Photo: Panos Kefalos

    Tactile tour of the performance "Oxygen" by George Koutlis

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    Photo: Panos Kefalos

    Surtitles for deaf and hard of hearing people in the performance "Oxygen" by George Koutlis

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    Photo: Andreas Simopoulos

    Tactile tour of the performance "Matchbox", based on the film by Yannis Economides

By consistently supporting both the artistic expression of people with disabilities and the inclusive experience of audiences, we continue to broaden who gets on stage, who tells their stories, and who participates in shaping the cultural landscape.

In the 2026–27 season, Robert Icke’s "Oedipus", Yiannis Niarros’ "2Β – Abduction and Observation", and Nikos Karathanos’ "Epos" are designed with accessibility in mind, with surtitles, audio description, sign language interpretation, and tactile tours. At the heart of this approach are the communities themselves—not merely as recipients but as co-creators of the process. The aim is not simply to ‘include’ people, but to co-create a culture that addresses them from the start.

In parallel, we continue to support artists with disabilities through professional training, networking, and international exposure through participation in workshops and residencies. Meanwhile, Europe Beyond Access, the largest European initiative to strengthen the participation of artists with disabilities in the performing arts, continues into its second implementation cycle (2024–2027), shaping a shared European space of inclusion, creativity, and professional empowerment. Onassis Stegi has been an active partner since 2018.

At Onassis Stegi, we don’t just build pathways to accessibility; we open up new perspectives for artistic participation and redefine who counts as a creator, an audience, or an institution. Through this ongoing reimagining, accessibility becomes a tool for equity, co-creation, and repositioning art at the center of social life.

Accessibility as a way for all of us to be present.

Past seasons