Part of: Onassis New Choreographers Festival 9 — ONC 9
Dance

Do Robots have emotions?

Manolis Saridakis

Dates

Tickets

5 — 7 €

Venue

Onassis Stegi

Time & Date

Day
Time
Venue
Day
Friday 11 - Sunday 13 March
Time
17:00 & 18:30
Venue
Back of House

Information

Tickets

Onassis Stegi Friends presale: from 15 FEB 2022, 17:00

General presale: from18 FEB 2022, 17:00

Full price: 7 €
Reduced, Friend & Groups 5-9 people: 6 €
Groups 10+ people, Unemployed, People with disabilities, Companions: 5 €

Group ticket reservations at groupsales@onassis.org

Duration

17 λεπτά

Introduction

“The performance you’re going to see has to do with robots. I chose this topic because I feel like a robot sometimes too,” notes Manolis Saridakis about his first choreography – a quite startling work thanks to its disarmingly incisive concept.

Photo: Pinelopi Gerasimou

The dance piece “Do Robots have emotions?” by Manolis Saridakis was created as part of the Europe Beyond Access program, and within the framework of Onassis Stegi’s ongoing commitment to issues of accessibility when it comes to the arts in general, and dance in particular. The fact that persons with disabilities still do not have access to professional dance training in Greece renders the support this program provides artists particularly important.

As part of this season’s program, Onassis Stegi commissioned three emerging disabled choreographers to create three short-form works. The results were presented as works-in-progress in December 2021, and support will be provided for the further development of all three. The piece by Manolis Saridakis was selected for this year’s Onassis New Choreographers Festival – ONC9. The professional development of artists with learning disabilities has been supported in various ways by Europe Beyond Access to date in other European countries, but this is the first time such a commission and presentation are being undertaken in Greece.

By means of his disarmingly incisive concept, Manolis Saridakis touches upon the exceptionally timely topic of robots, weaving critical issues concerning control, as well as both artificial and emotional intelligence, into his own endeavors with regard to autonomy and freedom of expression. The choreographer himself appears on stage, programing each “robot” to perform – both individually and all together – a dance of their own. He then transports them into a virtual bar/club setting where he gives a new command: “feelings on demand”! On the dance floor, Screwdriver cocktails in hand, each robot will tackle the emotion it has been assigned, upending their interrelationships in the process, and leading us into the climactic scene of this sci-fi adventure by the programmer and choreographer Manolis Saridakis.

Do robots have a mechanical heart?

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Photo: Pinelopi Gerasimou
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Dancer, choreographer, and dance/choreography history teacher Medie Megas was on the Europe Beyond Access program team, working as a program design consultant for the commissioning and support of emerging choreographers with disabilities, and mentoring Manolis Saridakis during the creation of this work.

She notes: “Within the framework of Europe Beyond Access, an artistic mentoring program of a practical and theoretical nature was launched, running ahead of and in parallel with rehearsals for the production of three works. The talks, discussions, and practical exercises that took place followed four key lines of inquiry. The first concerned contemporary dance today: artistic practices, methodological tools, the generation of meaning, and the relationship between artist and audience. The second focused on the field of dramaturgy and contemporary collective practices, a topic further elaborated by means of a two-day seminar led by the dramaturg Rodia Vomvolou. The third introduced disability and accessibility perspectives in order to bring issues of identity to the fore, and to examine new and more specialized concepts such as the aesthetics of accessibility. Lastly, and in parallel with all the other lines of inquiry, particular importance was placed on developing the ideas of each choreographer, and on the ways in which these ideas could be translated into instructions for improvisation, exploratory games, and creative tasks for the dancers.

Photo: Pinelopi Gerasimou

Choreographer’s note

The performance you’re going to see has to do with robots. I chose this topic because I feel like a robot sometimes too. I conducted an interview and did research to learn about robots: about how they move and how they help people. I had a few questions: Do robots have a mechanical heart? Is a robot brain the same as a human brain? Are robots ever bored when they do chores? Are robots doing whatever they want or whatever humans want? I hope seeing my performance makes you happy.

–Manolis Saridakis

Credits

Concept
Manolis Saridakis
Choreography
Manolis Saridakis, in collaboration with the dancers
Dancers
Olympia Antonena, Eirini Kourouvani, Christos Christakopoulos, Manolis Saridakis
Dramaturgy – Mentoring
Medie Megas
Costumes
Marilena Kalaitzantonaki
Lighting Design
Konstantinos Bethanis
Make-up
Alexandra Rentzou
Original Music
Christos Christakopoulos
Additional Music
“Techno Eskalation!!!” by Max Minimal also features in the performance
Executive Producer
Christos Papamichael – Liminal
Production Manager, Coordinator of Artistic Activities for Europe Beyond Access
Christina Liata – Onassis Stegi
European Programs Coordinator
Dora Vougiouka – Onassis Stegi
Special thanks to
Niki Saridaki, Fotini Gioti, Giannis Makris, Manolis Andriotakis, Rodia Vomvolou