Theater

ORACLE | Łukasz Twarkowski

Text & Dramaturgy: Anka Herbut

Dates

Age guidance

12+

Prices

10 — 52 €

Time & Date

Day
Time
Venue
Day
Thursday—Saturday
Time
19:00
Venue
Main Stage
Day
Sunday
Time
14:00
Venue
Main Stage

Tickets

Type
Price
Full price
28 €, 37 €, 45 €, 52 €
Reduced, Onassis Friends, Neighborhood residents
20% discount on the regular ticket price
Unemployed
30% discount on the regular ticket price
Restricted View Ticket
15 €
People with disabilities, Companions*
10 €

*Tickets for people with disabilities and their companions can only be booked by telephone at +30 213 017 8036 or via email at infotickets@onassis.org.

Group ticket reservations at groupsales@onassis.org

Onassis Friends presale: from 21 SEP 2026, 17:00
General presale: from 25 SEP 2026, 17:00

Information

Duration

3 hours and 40 minutes (with intermission)

Language

Latvian, English, Lithuanian and Chinese with Greek and English surtitles.

General Information

The performance includes the smoking of cigarettes, elevated sound levels, and strobe lighting.

Post-performance discussion - 16.10.2026

On Friday, October 16, a post-performance discussion will take place between director Lukasz Twarkowski and Afroditi Panagiotakou, Artistic Director of Onassis Foundation.

After “ROHTKO” and “Respublika” comes an immersive stage universe about Alan Turing, the code that changed history, the birth of artificial intelligence, and the dark sides of progress. Theater, live cinema, powerful music, and real stories intertwine in an experience that leaves you breathless.

Photo: Marko Rass

Is the ‘future’ an idea of one man? Was our present invented by a single person?

“ORACLE” moves across decades. It shines a light on visionaries who changed the course of history. From science to war, from algorithm to intuition, from the thirst for knowledge to the anguish for peace, from human to machine, from presence to absence, it ultimately celebrates those who dare to imagine another world and break boundaries, without hesitating to pay the price of their courage.

What does Alan Turing (1912–1954), the mathematical genius who foresaw the world of computers and artificial intelligence and broke the German Enigma code during World War II, have in common with Hedy Lamarr, the Hollywood star whose rare beauty is reflected in Disney’s Snow White, but also an inventor who paved the way for modern wireless communications? What connects the medium Helen Duncan, who brought spiritualism to the fore, with Blake Lemoine, the dismissed Google engineer who raised the question of consciousness in artificial intelligence?

Photo: Marko Rass

Shifting between post-war Britain and a timeless digital realm, “ORACLE” employs thermal and infrared cameras—not neutral video tools, but first and foremost weapons of war. At the same time, through immersive soundscapes and cinematic projections, it dissolves the boundary between reality and illusion. Visually striking and conceptually provocative, the performance reflects on Turing’s secrets, his prophetic insights, and the future shaped by artificial intelligence that he helped imagine, placing it alongside forgotten stories and biographies that haunt the margins of the official historical account.

Twarkowski explains that the title of his immersive multimedia theater performance is inspired by Turing himself and refers to the notion of the oracle: “He called one of his imagined machines ‘the oracle,’ a figure of possibility. You could say Turing was an oracle too, someone who saw something that others couldn’t yet imagine. Maybe the oracle is the thing that tells the truth and gets ignored.”

“ORACLE” delves into chillingly accurate predictions about the future and into the dark side of technology that is already shaping our lives. A constantly shifting revolving stage, music that stirs you, and cameras that bring out every breath, every heartbeat of the characters in the performance by the Polish visionary of contemporary theater, who emphatically calls out to us: “The future is here.” A production by Dailes Theatre.

Credits

  • Director

    Łukasz Twarkowski

  • Text & Dramaturgy

    Anka Herbut

  • Set Design & Lighting Design Concept

    Fabien Lédé

  • Costume Designer

    Svenja Gassen

  • Choreography & Artistic Collaboration

    Pawel Sakowicz

  • Composer

    Julek Ploski

  • Video & Digital Media Designer

    Jakub Lech

  • Lighting Designer

    Eugenijus Sabaliauskas

  • Director’s Assistant

    Diāna Kaijaka

  • Dramaturgical Support & Translation Adaptation for Stage

    Loreta Kalniņa

  • Video Assistant

    Ričard Žigis

  • Video Solutions

    Andris Fridrihsons, Edmunds Cīrulis, Dāvis Dreiska

  • Technical Manager

    Mārtiņš Vigups

  • Sound Engineer

    Didzis Herberts Cielava

  • Lighting Engineer & Programmer

    Mikus Guds

  • Stage Manager

    Iveta Boša

  • Producer

    Līga Svempe

  • International Production & Distribution

    Vidas Bizunevičius

  • Produced by

    Dailes Theatre

  • The production is developed in collaboration

    the Ruhrtriennale Festival of Arts; New Error; Comédie de Genève; Piccolo Teatro di Milano; DeSingel Antwerp

  • With the support of

    the Adam Mickiewicz Institute

  • Co-financing from

    the Ministry of Culture and National Heritage of the Republic of Poland

  • Innovation partner

    Latvijas Mobilais telefons (LMT)