Time & Date
Tickets
*The option of redeeming points or open tickets does not apply.
**Tickets for people with disabilities and their companions can only be booked by telephone at +30 213 017 8036 or via email at infotickets@onassis.org.
Group ticket reservations at groupsales@onassis.org
Ticket presales will take place in three successive phases, with different prices and a limited number of tickets available in the two first phases.
-Phase A
Onassis Friends presale: from 21 SEP 2026, 17:00
General presale: from 25 SEP 2026, 17:00
-Phase B
Onassis Friends presale: from 18 DEC 2026, 17:00
General presale: from 21 DEC 2026, 17:00
-Phase C
Onassis Friends presale: from 3 FEB 2027, 17:00
General presale: from 10 FEB 2027, 17:00
Forget Faust as you knew him. Two years after “Berenice,” Romeo Castellucci returns to the Onassis Stegi and takes the myth out of literature in order to turn it into body, shadow, and vision. A sweeping stage experience at the limits of desire, damnation, and redemption.
Photo: Christos Sarris
More than two hundred years after the first publication of Goethe’s monumental work in 1808, Romeo Castellucci takes on one of the most enduring myths of the West in order to liberate it from its words.
Faust is not simply the man who sold his soul to the Devil for knowledge, power, and a second youth. He is the symbol of the endless human desire to transcend his own limits. For Castellucci, Faust is something even stranger. He is an enigma. “An unknown thing, a comedy, or a clown,” as he himself writes.
The great Italian iconoclast of theater returns to the Onassis Stegi with this new international co-production, with light, darkness, and sound as its protagonists. Around them move a three-member company and a ‘chorus’ of ten performers from the community of each city where the performance is presented. With the materials that run through his entire body of work, the body, the image, the shadow, the revelation of a second world within this one, Castellucci creates a “Faust” made not of what is said, but of what remains unsaid.
Faust is a name that carries all of its history, and now I would like to bring it out of its literary home. This Faust—an unknown thing, a comedy, or a clown—reverses the playing field and might even teach Mephistopheles that for an artist, condemnation and redemption are the same thing. The means I intend to use for the staging are the same as always: shadow, skin, and the second world within this one.
—Romeo Castellucci
Riddle Number One
I do not live in the name, but in the mark
I choose the moment, yet he does not want me
What I seek devours me
What devours me does not nourish me
When I signed, the hand was mine
When I spoke, the voice belonged to another
Since then I walk in the company of what I asked for
And the further I go, the more the ground becomes a thread
My dress warms me not, weighs me not, falls not
Who am I?
Riddle Number Two
I do not create: I corrode
I do not deny the truth: I render it useless
I do not knock: I am already inside
I do not lie: I bend the words
I bring light without heat
I advise roads that descend while rising
I do not ask for the soul: I make it appear a remnant
I smile when you consent
I vanish when you invoke me
Who am I?
Riddle Number Three
I break into a thousand and yet I am one
Whoever tries to tame me is found by me
Whoever tries to ignore me falls into my arms
I am the wind that bends trees for no reason
Whoever seeks me in error finds me in the rule
I am the secret heart of what you call law
I have no form, yet I possess them all
Kings fear me, winds invoke me
Who am I?
—Romeo Castellucci
Credits
Concept & Direction
Romeo Castellucci
Original Music
Scott Gibbons
With
cast to be announced
Dramaturgical Dialogue
Piersandra Di Matteo
Direction Assistant
Silvano Voltolina
Technical Direction
Eugenio Resta
Stage Technician
Andrei Benchea
Light Technician
Andrea Sanson
Sound Technician
Claudio Tortorici
Costumes
Chiara Venturini
Stage Sculptures & Automations
Plastikart Studio Amoroso & Zimmermann
Production Direction
Benedetta Briglia
Production & Tour
Giulia Colla
Organization
Caterina Soranzo
Technical Headquarter Team
Carmen Castellucci, Francesca Di Serio, Gionni Gardini, Dario Neri
Administration
Michela Medri, Elisa Bruno, Simona Barducci
Economic Consultant
Massimiliano Coli
Production
Societas
Co-production
Cité européenne du théâtre Domaine d’O, Montpellier; Romaeuropa Festival; Odéon Théâtre de l’Europe–Paris; Festival d'Automne à Paris; Temporada Alta – Girona; Teatro di Napoli – Teatro Nazionale; ERT Emilia Romagna Teatro/Teatro Nazionale; Théâtre Vidy-Lausanne; DeSingel International Arts Centre; FOG Triennale Milano Performing Arts Festival; LAC Lugano Arte e Cultura; Onassis Stegi; Teatro Calderón de Valladolid; Berliner Festspiele; Holland Festival Amsterdam; Teatro della Toscana; National Taichung Theater, Taiwan; Adelaide Festival
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