Dance

ODD—Onassis Dance Days 2027

Dates

Time & Date

Day
Time
Venue
Day
Wednesday – Sunday
Time
21:00
Venue
Main Stage, Upper Stage

What do you feel when you watch someone dance? For the 14th year, the Onassis Stegi’s annual contemporary dance festival returns and invites us to look at one another anew. The body acts like a mirror, reflecting our endurance, desires, fears, and everything we still do not know about ourselves.

Photo: Christos Sarris

At the heart of this year’s Onassis Dance Days (ODD) is "Landless", the first joint creation by Christos Papadopoulos and Georgios Kotsifakis. Two Greek artists with international careers look at the body as an unmapped territory, with oceans, cliffs, hidden passages, and places that appear only when someone else is looking at them. From its world premiere in Lugano to its journey across major European stages, "Landless", co-produced by Onassis Stegi, won over the international press, which described it as “human architecture in motion” and as a choreography in which “every micro movement becomes a poetic act and a revelation.”

This year’s ODD program also includes works that emerged from the research of two Onassis AiR Fellows from the previous year. In "Echo Chamber", Christiana Kosiari transforms the stage into a space of confession, where the personal diary meets digital dystopia in an existential stand-up dramedy.

With "The Rashomon Effect", Konstantinos Papanikolaou examines how our perception of a work is shaped. The same choreographic solo is presented twice, with the narrative changing each time and different observers accompanying it. This process highlights the paradoxical nature of perception: although the audience watches the same performance, its understanding of it changes. The choreography explores the power of interpretation and the interaction between personal experience and expertise, inviting spectators to notice the invisible mechanisms that shape meaning.

As the final program is gradually revealed, Onassis Dance Days 2027 takes over every space of the Onassis Stegi, setting up a dance marathon from early afternoon until midnight. A festival for bodies that look, move, expose themselves, and never remain the same, and for restless spectators.