Chryssa Kotoula | Matters of Concern

Material-driven approaches have gained significant attention in contemporary art, design, and architecture, positioning materials as the foundation for creative exploration. Unlike traditional design processes, which typically emerge later in the project, material-driven practices begin with the material itself. This paradigm shift prioritizes the ‘how’ over the ‘what,’ making the material a dynamic, living entity that inspires new connections with our environment.

This project aims to build on that approach by rethinking materials not only as tools but as sources of creative insight. Based in Athens—a city marked by continuous transformation—it explores how reclaimed urban materials such as soil, glass, various minerals, construction debris, and organic waste from local restaurants can be reimagined as alternative components for ceramic production. Athens offers a wide range of discarded materials, each holding untapped potential for creative expression.

By incorporating locally sourced reclaimed materials into clay bodies and glazes, the project reduces reliance on commercially extracted resources and centers the act of making within the city’s existing material landscape. It will culminate in the creation of 50 ceramic vessels that serve both as artistic objects and narrators of transformation. Each vessel becomes both an object and a trace—bearing textures shaped not only by the maker’s hand but also by the city itself.

The residency will also foster collaboration with the local community through a series of workshops, talks, and learning sessions focused on ceramic processes, local material sourcing, and circular craft practices. These sessions aim to share knowledge, support skill exchange, and open a space for dialogue between artists, makers, and the public, while reflecting on the city’s material legacy and the role of creativity in shaping its future.

The final outcome will be presented at Onassis AiR as an installation combining the ceramic pieces with the raw and processed materials used in their making. A small publication will accompany the installation, documenting the process and mapping the material collection sites, serving as a practical and accessible resource for future makers.