Artwork: Gustav Mützel
Music

The Sea Between My Soul

Directed by Raed Yassin Music by Alan Bishop

Dates

Tickets

5 — 8 €

Venue

Onassis Stegi

Time & Date

Day
Time
Venue
Day
Friday 19 - Sunday 21 November
Time
20:00 & 22:00
Venue
Main Stage

Information

Tickets

Onassis Stegi Friends & General Presale: from 2 NOV 2021, 17:00

Full price: 8 €
Reduced, Friend, Neighborhood residents & Groups 5-9 people: 7 €
Groups 10+ people: 6 €
People with disabilities & Companions, Unemployed: 5 €

Group ticket reservations at groupsales@onassis.org

Audience arrivals

To ensure public safety, audience arrivals start from 40 minutes before the beginning of the performance.

Age Guidance

18+

Language

In English

Duration

60 minutes

About the production

The taxidermy animals used in the performance were preserved after dying of natural causes

Introduction

Dark humor from Lebanese artist Raed Yassin. A rock musical punctuated by the high-strung voice of Alan Bishop, in which taxidermy animals sing of their deaths to reveal the long history of murder in the Mediterranean region.

Artwork: Gustav Mützel

The Sea Between my Soul

A rock musical performed by taxidermy animals, Raed Yassin’s “The Sea Between My Soul” promises to cross boundaries between installation and theater, music and light, and even life and death.

A morbid reflection on the long standing history of fatalities in the Mediterranean sea, the work will punctuated by the high-strung notes of Alan Bishop’s singing voice, adding a whiff of absurdity to the otherwise apocalyptic scenario that surrounds us in the world today.

Image1/13
Photo: Yiannis Soulis

Programmed for the 2019-20 season, the production was cancelled due to the precautionary national health measures put in place by the Greek government to combat the Covid-19 pandemic.

In September of 2020, the show was restaged at the Onassis Stegiʼs Main Stage and filmed for its digital screening. Anamorphic lenses were used to breathe life to the protagonists and make them better heard. Slow-motion camera was employed to emphasize the staged ʽstillnessʼ, but also to suggest a CinemaScope illusion.
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"In modern culture, animals are used anthropomorphic manifestations of human character and emotion, often given names and attributed personalities. This humanizing tendency has metastasized through the popular imagination, in cartoons, zoology, children’s fables and the Internet. Using animals as conduits of human wisdom and story telling is a tradition as old as time itself, but at no other time has this mythology risen to the phantasmic heights it has today, where we actually truly believe that animals feel and function just like we do. That animals are virtual avatars of ourselves, completely mirroring our psychological conception of the world as we know it.

In this multi-sensorial work, this performative mirroring is accentuated by fusing black humor with absurdity to reflect our contemporary moment: on stage, taxidermy animals who are no longer alive narrate their story from beginning to end, using tropes of lyrical folk songs and a cacophonous rock musical. Much like they are seen in the displays of natural history museums, a drama unfolds through their silent bodies by simply hinting there is a voice or action emanating from them. Through specific poses, light, sound and the power of suggestion, human nature dictates that we see life in these creatures. They are no longer just mute mounted skins, they are singing, acting and momentarily - alive. Their gratuitous ‘death on display’ is erased through the illustration of life.

In much the same way as animals have been pushed out of view in recent times, so has death itself. Seeing death directly causes discomfort, even though humans are the main cause of so much of it in the world. The face of death is increasingly concealed from us, as we shy away from confronting it in every way possible. No matter how disconcerting it is, these animals embody a truer representation of death than any other. In order to narrate a story about death, there is no better narrator than the deceased themselves. As if resurrected from an unknown past, these animals chronicle their fatal journey by speaking from a dimension beyond the one we know. Removed from their natural habitat and displaced into an urban landscape somewhere by the sea, their appearance in this way somehow predicts the current dark moment of our times." - Raed Yassin

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Credits

Concept & Direction
Raed Yassin
Music & Lyrics
Alan Bishop
Scenography
Hussein Baydoun
Lighting Design
Charlie Åström
Technical supervisor
Vasilis Saltas
Assistant
Raisa Hagiu
Lyrics translation in Greek
Lenia Safiropoulou
3D modelling & buildings manufacture
George Loukrezis
Set construction & installation
Panagiotis Lazaridis
Electrical equipment & installations
Nikos Papathanasis
Production management
Delta Pi
Production design
Konstantinos Sakkas
Line production assistant
Angelika Stavropoulou
Produced by
Onassis Stegi
Very special thanks to
Afroditi Panagiotakou, Christos Carras, Christina Pitouli, Monira Al Qadiri, Said Baalbabki, Ash Bulayev
Music/Instrumentation/Credits
.
Piano, Organ, Harpsicord, Clavinet, Backing Vocals
Adham Zidan
Vocals, Acoustic Guitar, Bass Guitar, Alto Saxophone
Alan Bishop
Cello
Amelie Legrand
Vocals, Percussion
Aya Hemeda
Electric Guitar, Backing Vocals
Cherif El Masri
Viola
Eyvind Kang
Vocals
Jessika Kenney
Drums
Morgan Mikkelsen
Vocals
Nadah El Shazley
Mastered by
Mark Gergis
Produced by
Alan Bishop & Adham Zidan
“The Sea Between My Soul” Tour is supported by
Onassis Stegi’s “Outward Turn” Cultural Export Program

All music, lyrics, and narration text by Alan Bishop (2019).

Recorded and engineered by Adham Zidan in Cairo, December 2019/January 2020.