FFF5 | Trapped
Medie Megas
Dates
Tickets
Venue
Time & Date
Information
Tickets
General presale and Onassis Stegi Friends presale: from 24 APR 2018, 12:00
Full price: 10 €
Reduced, Onassis Stegi Friends & Groups 5-9 people: 8 €
Groups 10+ people, Νeighbourhood residents: 7 €
Unemployed, People with disabilities & Companions: 5 €
The availability of tickets for English-speaking viewers is limited.
General
Wheelchair users will not be able to attend a small part of the performance, as it will take place at a non-accessible location for wheelchairs.
Introduction
Us or them? A site-specific performance about the dilemmas that have divided and fanaticized Modern Greeks throughout their history. An unusual performance embracing theatre and dance components unfolds inside and around the National Theatre Ziller Building.
Photo: Christos Symeonides
Can we really learn something from history? Even if we realize what makes it tick, even if we understand what really happened, can we derive something useful for our lives or are we condemned as a people and as human beings to repeat the same mistakes? Why are we fanaticized by each dispute? Why does a schism arise at every turn of our history?
With the eye of the contemporary artist who tries to understand the mechanism of the Greek fixation on dichotomy, Medie Megas takes us to early 1900s where, in the midst of clashes between the Greek factions, we find an American: Isadora Duncan. Duncan, a passionate woman and a pioneer of modern dance, twice found herself caught in the midst of historic events that marked Greek history, with violent confrontations that incurred loss of life: the 1903 language events known as the “Oresteians” and the National Schism of 1915. What was the significance of her presence in Athens at the time? What has remained the same and what has changed since then? A look at history past and present. A performative experience, an unusual adventure that starts as documentary theatre, evolves into a site-specific installation and escalates into a participatory performance.
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Photo: Christos Symeonides
CREDITS
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