Onassis Stegi Touring Program

RUNWAY | Christiana Kosiari

MOS | Ioanna Paraskevopoulou

The House | Dimitris Karantzas

MAMI | Mario Banushi

The House of Trouble | Patricia Apergi

to be possessed | Chara Kotsali

Larsen C | Christos Papadopoulos

LANDSCAPE | Elena Antoniou

Slamming | Xenia Koghilaki

NEAR MISSES | Fotini Stamatelopoulou

My Fierce Ignorant Step | Christos Papadopoulos

Theater

Lapis Lazuli | Euripides Laskaridis

Oxygen | George Koutlis

Lovers’ Chorus | Tiago Rodrigues

Heatwave | Υiannis Panagopoulos

NEKYIA | Giannis Aggelakas & Christos Papadopoulos

Romáland | Anestis Azas & Prodromos Tsinikoris

Babybird Babybird | Dimitris Bampilis

Dance

IT'S THE END OF THE AMUSEMENT PHASE | Chara Kotsali

Horse Me | Sofia Mavragani & Janis Rafa

ecdysis | Michalis Theophanous

All of My Love | Ioanna Paraskevopoulou

Bang Bang Bodies | Xenia Koghilaki

Do Robots have emotions | Manolis Saridakis

ELENIT | Euripides Laskaridis

Ephemeral Body | Valasia Simeon

ION | Christos Papadopoulos

Re-call (reloaded) | Venetsiana Kalampaliki

Solar | En Dynamei Ensemble

Exhibition

Love Solidarity Death (L.S.D.) | The Callas

New media

Oedipus in Search of Colonus | Loukia Alavanou

The journey of the Onassis Stegi Touring Program for the 2025–26 season continues with new alliances and an even more focused approach. This season, our attention turns to what comes before and after the stage: strengthening the creative environment and supporting artists in ways that allow for experimentation, presentation, connection, and growth, with sustainability and continuity at the core.

The consistently successful invitation of professionals to participate in Onassis Dance Days has become a fixture of our activity, which continues this season, offering a meaningful meeting point between artists and decision-makers, while also serving as a platform for exchange through pitching sessions, open discussions, and face-to-face connections. At the same time, we continue to strengthen the international presence of Greek creators at key festivals and cultural forums across Europe. Through contact with international producers and programmers, we help create the conditions for long-term collaborations, co-productions, and network development.

Our presence in the global arts landscape serves as a bridge, connecting the local scene in Athens with a European ecosystem of exchange and support, where Greek creation is not merely represented but actively contributes to shaping the contemporary artistic field in a meaningful, lasting, and vibrant way. From New York to Copenhagen, Rome, Amsterdam, Tokyo, and Bogotá, productions born or supported at Onassis Stegi are set to travel this season to key destinations on the global cultural map, including Julidans, RomaEuropa, Grec Fest, Dance Umbrella, and December Dance.

Mario Banushi’s "MAMI", following its triumphant reception at the Festival d’Avignon in July 2025, continues its impressive journey with stops at the Espoo Theatre in Finland, Noorderzon, and NYU Skirball in New York as part of Under the Radar. Christos Papadopoulos’ "My Fierce Ignorant Step" will be presented in Amsterdam, Barcelona, Rome, Bruges, and Madrid, while Chara Kotsali’s "to be possessed" travels from Lisbon and Bogotá to Brussels, highlighting both the breadth of contemporary Greek creation and its ability to engage across diverse cultural contexts. Meanwhile, works such as Elena Antoniou’s "LANDSCAPE" and Xenia Konghylaki’s "SLAMMING" have been selected by festivals including Dancehallerne and SAAL Biennaal.