Cavafy returns to Athens: A sculpture for the city, offered as a gift from the Onassis Foundation in collaboration with the City of Athens

The Onassis Foundation, in collaboration with the City of Athens, is installing a sculpture of C. P. Cavafy on the pedestrian walkway of Dionysiou Areopagitou Street, in front of the Onassis Library and Onassis Mandra, creating a new landmark.

Photo: Stelios Tzetzias

“I love Athens so very much,” wrote Cavafy in 1903. A city that always fascinated him. It was here that he sought recognition. It was here that his writing was tested and it was here he wished to be heard.
The sculpture of Cavafy, a gift from the Onassis Foundation to the City of Athens, aspires to integrate the poet organically into the urban fabric, not as a monument to be viewed from a distance, but as a living presence within the city’s daily life.

It invites residents, visitors, and passersby to sit beside him and “chat,” even if only for a moment, turning their gaze toward the city and its vibrant urban life, just as the poet himself did nearly 125 years ago, on the morning of June 26, 1901, when he noted in his diary: “I have just returned from my visit to the Choragic Monument of Lysicrates. The sun was dreadful at the spot between Zappeion and Lysicrates Street. I took another careful look at Hadrian’s Gate.”

Photo: Stelios Tzetzias

“I went to Athens—as to a Mecca—decided to like it and I kept my word to myself.”

Excerpt from a draft letter [in English] to Marigo Cavafy, wife of his cousin, John Cavafy, London, 1902

The proposal by sculptor Praxitelis Tzanoulinos depicts Cavafy seated in a familiar, approachable posture. It is a life-size sculpture, made of bronze with a high-durability patina suitable for outdoor use, allowing visitors to sit beside the poet. The sculpture is illuminated by distinguished Greek lighting designer Eleftheria Deko, in a lighting study that engages in a constant dialogue with its environment. Cavafy’s figure draws inspiration from a photograph in the Cavafy archive depicting him seated on a chaise longue in his apartment at 10 Lepsius Street in Alexandria, around 1930, while details such as his glasses were incorporated using modern 3D scanning and printing technologies, based on authentic objects.

Within the same framework, an upgraded public rest area is being created along Dionysiou Areopagitou Street pedestrian walkway—with the C. P. Cavafy sculpture as its centerpiece—designed by architect Giorgos Parmenidis. The intervention reorganizes the surrounding area by redesigning the two adjacent green spaces, improving the paving, and incorporating urban furniture elements, such as concrete seating, to create a unified, functional, and accessible space that encourages people to pause, observe, and reflect. At the same time, the existing sculpture of Melina Merkouri is being upgraded, enhancing the site’s overall character of the site.

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Artist's note

“We owe to Edward Morgan Forster the beautiful image of the ‘Greek gentleman in a straw hat, standing absolutely motionless at a slight angle to the universe,’ which he described in April 1919. Along with photographic material depicting Cavafy—and as he himself wrote, addressing himself: ‘Try to guard them, poet,/ however few there are that can be kept./ The visions of your loving./ Set them, half hidden, in your phrases’—these elements became the stimuli that decisively contributed to the work’s inception, and ‘The poet, partly concealing, partly concealed…’ emerged before me through the malleable material of clay at first and later in bronze.

Thus, his figure was crafted; approached not through imitation but by expressing the image and essence of his poetic world.

The artist’s endeavor is an endless adventure, especially when one must confront the rendering of such an iconic and recognizable figure, one that moves—and will always move—all of humanity with his poetry.

Perhaps such thoughts also troubled the great Albrecht Dürer when he crafted his engraving portrait of Erasmus, leading him to inscribe upon it, in fine Greek, the phrase: ‘Τὴν κρείττω τὰ συγγράμματα δείξει’ (‘[His] writings will show a better likeness’).”

Praxitelis Tzanoulinos, 2026

    Image 1 / 4

    Photo: Pavlos Fysakis

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    Photo: Pavlos Fysakis

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    Photo: Pavlos Fysakis

    Image 4 / 4

    Photo: Pavlos Fysakis

The culture of everyday life: The Onassis Foundation in the city

The Cavafy sculpture is part of a broader strategy of interventions by the Onassis Foundation in public space. With unwavering commitment, the Foundation highlights the “culture of everyday life” through subtle interventions in neighborhoods, playgrounds, monuments, and buildings, contributing to a city that is more friendly, open, and sustainable for everyone. At the same time, an informal network is taking shape that connects Athens’ neighborhoods, encouraging residents to rediscover their city.

In close collaboration with the City of Athens, the Onassis Foundation is implementing new projects that enhance the city’s functionality and aesthetics. Among them is the upgrade of the lighting along the route from Dionysiou Areopagitou to Apostolou Pavlou Streets, designed by Eleftheria Deko, who, in addition to lighting the Cavafy sculpture, also designed the renewed lighting of the Acropolis in September 2020, a project of the Ministry of Culture, which was carried out through a donation and commission from the Onassis Foundation and has received international awards. Once completed, the new lighting design aims to highlight one of Athens’ most iconic walks, enhancing the public space’s experience.

At the same time, redevelopment projects are underway on Aeschinou and Frynichou Streets, aiming to upgrade the everyday experience of public space. In this context, the renovation of Aeschinou Street will soon be completed, featuring bronze engraved plaques running along the street with verses from C. P. Cavafy’s poem “The City.” These initiatives complement urban interventions already implemented by the Onassis Foundation in locations such as Ragkava Park, Avdi Square, Logginou Grove, and the Youth Centers in Neos Kosmos and Dourgouti Park, strengthening residents’ connection to the city and the presence of greenery in everyday life.

Credits

  • Chief Operating Officer:

    Chronis Lillis

  • Project Manager:

    Eleni Keratsa

  • Sculptor:

    Praxitelis Tzanoulinos

  • Architectural Design:

    Parmenidis – Longuepee – Mari

  • Lighting Design:

    Eleftheria Deko